Dark Matter: Art And Politics In The Age Of Enterprise Culture Gregory Sholette

• Auteur : Gregory Sholette
• Editeur : Pluto Pr
• Langue : Anglais
• Parution : 01/12/2010
• Format : Moyen, de 350g à 1kg
• Nombre de pages : 240
• Dimensions : 23.1 x 15.2 x 2.0

Critique / Article
With great verve and urgency, Gregory Sholette explores the economics of contemporary art production in an era of neoliberalism, and outlines the promises and pitfalls of various tactics of resistance. Dark Matter is a salient call-to-arms to all cultural laborers. -- Julia Bryan-Wilson, author of Art Workers: Radical Practice in the Vietnam War Era Based on a multitude of examples from the heterocosmos of invisible art practices, Dark Matter is the ultimate companion to contemporary activist art. In his exquisite and theoretically informed style Gregory Sholette investigates the problematic functions of art practices in the processes of neoliberal appropriation, but above all the wild, explosive and deterritorializing lines that are drawn in the dark matter between art and politics. -- Gerald Raunig is a philosopher and art theorist who lives in Vienna, Austria. He is the author of Art and Revolution Greg Sholette masterfully illuminates the configurations, ideas, and behaviors of collectives dedicated to cultural resistance. Dark Matter is essential reading for anyone concerned with the fate of the avant-garde and the emergence of new possibilities in cultural production that suggest and create alternatives to global capitalism. -- Critical Art Ensemble As both active participant and witness Greg Sholette sheds a welcome and overdue light on the dark matter of the so-called art world. -- Hans Haacke, artist Focusing primarily on the anti-institutional, collective and politically critical artists that often willingly reject the light of the mainstream galleries and academies, Sholette both highlights a vast array of important contributors to art of the last decade and also challenges the ahistorical assumptions that ground the capitalist art market. -- Paul B. Jaskot, Professor of Art History at DePaul University An important and necessary intervention. What's striking about the book is that it is less a set of reflections on 'art and politics' than a critique of art's very place within political economy, something that even erstwhile radicals rarely address. In this sense the book fits very well into what is now amounting to a revolutionary onslaught on the current crisis of capitalism. Dark Matter, is well placed to shift the debate on art's utility back within the domain of labour and value, where it has long been missing. -- Professor John Roberts, University of Wolverhampton