Bloody Sunday

With breathtaking verisimilitude, Bloody Sunday posits an immediate, you-are-there re-creation of Ireland's most controversial contemporary tragedy. From dusk to dawn, the events of January 30, 1972, are presented in convincing verité fashion; by employing rapid fade-to-black transitions, director Paul Greengrass approaches two perspectives with equal anticipation of potential disaster, based on facts as reported in Don Mullan's politically influential book Eyewitness Bloody Sunday. Ivan Cooper (James Nesbitt) is, ironically, a Protestant Member of Parliament, leading a peaceful but tensely expectant civil rights march through the Catholic bogside of the city of Derry, in protest of the British practice of internment without trial. He watches in horror as his throng of unarmed protesters splinters against British paramilitaries who impulsively open fire. No question where Greengrass's sympathies lie (heard but not seen, the first shots are British), but despite charges of inaccuracy and bias, Bloody Sunday will likely stand as the definitive cinematic representation of that horrible day when deadly confusion reigned supreme. (U2's Sunday Bloody Sunday plays over the closing credits; any other choice would have been blasphemous.) --Jeff Shannon ...

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