Vengeance Valley

3 annonces pour ce produit

1,88 €

Vendu par : dvdlegacy (PRO)
Note : 4,5/5 pour 64878 ventes

Expédition : normal, recommandé

Produit Neuf Spécialiste de la vente du DVD Zone 1, plus de 20 000 titres neufs sous blister sont disponibles sur mon inventaire, plus de 40 000 ventes sur PriceMinister, faites confiance à un pro, expédition soignée, Délai de livraison 5-10 jours, expédition... (suite) Voir le détail de l'annonce

2,40 €

Vendu par : Importcds (PRO)
Note : 4,8/5 pour 20104 ventes

Expédition : normal, recommandé

Produit Neuf PRODUIT NEUF - Envoye par avion des USA - Livraison en moyenne de 7 a 14 jours ouvres. Voir le détail de l'annonce

3,58 €

Vendu par : HTFINDRECORD (PRO)
Note : 4,4/5 pour 141 ventes

Expédition : normal, recommandé

Produit Neuf 787364439799 Voir le détail de l'annonce - Poser une question

The charms of DVD sometimes passeth understanding. Vengeance Valley is an 83-minute B Western directed (barely) by the dullest of MGM hacks, Richard Thorpe, and based on one of the genre's hoariest formulas--the bad natural son (Robert Walker), the good foster son (Burt Lancaster), and the range empire they respectively imperil and rescue. Everyone on board was marking time: Walker, who otherwise spent 1951 playing Bruno Anthony in Hitchcock's Strangers on a Train, and who would be dead within the year; Lancaster, whose glum performance hints at neither the gusto of his early-'50s swashbucklers nor the fact that he would soon be collecting Oscar nominations; Joanne Dru (playing Walker's recent bride), who only a year earlier was working for John Ford; and screenwriter Irving Ravetch, who would draw a much more auspicious ranch-land assignment a decade later with Hud (1963). No, we can't make exalted claims for Vengeance Valley--but that's just the point: this is an absolutely typical slice of moviegoing life in 1951, and watching this DVD is as uncanny as a trip in a time machine. The aura is perfected by the true three-strip Technicolor print, not a latterday Eastmancolor approximation of the real thing. Throw in a supporting cast of such sagebrush perennials as John Ireland, Will Wright, Glenn Strange, Jim Hayward, and TV's Wyatt Earp-to-be, Hugh O'Brian, and you've got a quintessential Saturday at the Bijou. Now if only the great color films of the period could all look this good.... -- Richard T. Jameson ...